Anthony Skuse Checkhov Immersion Masterclass

A special eight week series exploring scene work and adaptations from the plays of Anton Chekhov

Course Outline | Course Outcomes | Session Details | Apply Now

Course Overview

The series is an opportunity to work empathetically with complex texts to discover a way into their rich emotional life. Skuse’s knowledge of and sensitivity to the history, style, and language of Anton Chekhov enable the actor to engage with these texts on a deeper level. This immersive masterclass is a chance to re-engage with the fundamental tools of the craft, focusing specifically on Chekhov’s unique contributions to theatre.

This masterclass will explore the profound emotional landscapes and intricate character dynamics that Chekhov masterfully weaves into his plays. Participants will delve into the subtext and nuanced dialogue that define Chekhov’s work, gaining insights into his thematic concerns and stylistic nuances.

 

His work is intelligently informed in the texts’ dramaturgical possibilities … steeped in the larger trends and history of international production fashions and styles [with] the rare capacity to integrate his own vision and skills into fabricating work of interest and originality. Kevin Jackson 

Anthony is one of Sydney’s most respected directors, a real actor’s director. His insight into Chekhov’s works will give each participant a hands-on understanding of his process, as well as keeping you acting-fit and ready to approach your next audition with a fresh perspective. By focusing exclusively on Chekhov, participants will gain a comprehensive understanding of his techniques and dramatic constructs, essential for tackling both classical and contemporary roles.

This series is ideal for actors who are also interested in direction, providing a dual perspective on how to approach Chekhov’s texts both as a performer and as a director. Anthony’s expertise in interpreting Chekhov’s plays will be invaluable for those looking to expand their directorial vision.

It is invite-only, with the highest standard being sought, and a place on the course is not guaranteed. Participants are expected to learn the scenes under consideration. The choice of scenes will be predicated on the makeup of the group, ensuring a tailored and rigorous exploration of Chekhov’s work.

Course Outline

The session will involve:

  • A scene prepared prior to class, rehearsed for a minimum of three hours!
  • Feedback and direction from Anthony, with group participation.
  • Specific focus on scene technique, script analysis & Anthony’s process.

Course Outcomes

By working closely with Anthony, you will learn, develop, practice and be held accountable for Anthony’s work. This masterclass will sharpen your skills and excite you to keep learning. You will achieve:

  • Greater insight and understanding of some of the works of Chekhov.
  • Deep dive into text analysis & character analysis.
  • Familiarity towards Anthony’s work & how he views acting.
  • Accountability for practice and performance which funnels you towards a more professional work ethic.

Erica Lovell 

Skuse is a master director and, as often follows, a master teacher. He makes you feel safe to explore, but challenges you to take risks at the same time. I’ve loved the work I’ve done with Skusie, and I can’t wait to do more

A Place To Call Home | Sea Patrol | All Saints | Macbeth

Session Details

When: 8 x Mondays

Dates: 12th August – 30th September 2024

Time: 7pm – 10pm each evening

Venue: CoHouse Studios Rosebery

Participants: 14 Maximum

Price: $528.00 incl GST (members receive 10% off)

Payment Information

How To Pay & Instalment Option: The easiest way to pay is by Electronic Funds Transfer (EFT) using the bank details on the invoice (please quote the invoice number in the transfer information), or by simply clicking the ‘pay online’ link also on the invoice (bank fees apply). You will be email an invoice upon acceptance into the program. Payment is due no later than the due date stated on the invoice, however if you would like to pay in instalments please call or email the office to arrange the dates and amounts you will pay. Please note full payment of the course is due by the time the course finishes. You can start payment instalments at anytime upon receipt of the invoice.

Session Details

About Anthony Skuse
Anthony’s directing credits include: Ibsen’s Doll’s House, The Actors Company (ACA); Simon Longman’s Gundog (KXT, Secret House); Katie Pollock’s Rough Trade (Sydney Writes and Theatre Works Melbourne), Breaking the Code (New Theatre); Chekhov’s Three Sisters (Belvoir Downstairs, AFTT) Alistair McDowall’s Pomona, (KXT, Secret House); Katie Pollock’s Normal (Uncertainty Principle); Crime and Punishment (Secret House); Joanna Erskine’s Air  (Old 505); Simon Stephens’ Birdland (New Theatre); Sarah Kane’s 4.48 Psychosis (Old Fitz); Suzie Miller’s Sunset Strip (Uncertainty principle & Griffin, and with Critical Stages National Tour); Chekov’s Seagull (Secret House, Depot Theatre); Bathsheba Doran’s Mystery of Love and Sex (Darlinghurst Theatre); Charlotte Jones’ Airswimming (The Vaults, London); Nick Enright’s Man With Five Children (Darlinghurst Theatre Company); Christopher Harley’s Blood Bank (Ensemble Theatre); Jane Bodie’s Fourplay & Ride (Darlinghurst Theatre Company); Suzie Miller’s Caress/Ache (Griffin Theatre Company); Jessica Bellamy’s Shabbat Dinner (Rock Surfers, Rocks Pop Up Festival, Griffin Theatre Company); Nick Payne’s Constellations (Darlinghurst Theatre Company); Simon Stephens’ On the shore of the wide world (Griffin Independent); Amy Hertzog’s 4000 Miles (Under the Wharf, Sydney, La Boite, Brisbane & Critical Stages Regional Tour); Simon Stephens’ Punk Rock (Under the Wharf) which won three Sydney Theatre Awards including Best Independent Production and Best Direction. 

Anthony is currently Head of Performance at Actor Centre Australia. He was an Associate Lecturer at NIDA from 2009 – 2013, working in the Undergraduate and Postgraduate courses.

Anthony's Full Biography

Apply For The Course

Please send an expression of interest including your C.V. to courses@thehubstudio.com.au or use the below form. Please note the course is by invitation only. If accepted we shall send out an application form with all the course information. Notification for acceptance will be made no later than one week before course commencement.

If offered your place will only be held once payment is received in full. Failure to do so will forfeit your place on the course. For more information or queries please don’t hesitate to call on (02) 9212 0522 or alternatively email us on the above address.

Course Application Form

IMPORTANT INFO!! We are experiencing some unusual issues with our forms from time to time. If your form isn't sending through please email the same information, including your CV and Headshot via email to courses@thehubstudio.com.au and we'll get back to you asap. OR call 02 9212 0522.

  • Accepted file types: jpeg, gif, png, pdf, docx, jpeg, jpg, pages, tiff, txt, doc, heic, , Max. file size: 512 MB.
  • Accepted file types: jpeg, gif, png, pdf, docx, jpeg, jpg, pages, tiff, txt, doc, heic, , Max. file size: 512 MB.
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For further questions or queries please contact us directly during 10am – 5pm / Monday – Friday on the below details:

Further Questions

The HubStudio prides itself on helping professional actors to facilitate their training journey. If you would like more information about this course, or more importantly which courses would suit you best, then please email or call us to discuss your training goals.